USING COLUMNS AS ROOM SEPARATORS

Open floor plans create a spacious, airy feeling that appeals to many of today’s homeowners.  However, without traditional borders, the living rooms, kitchens, and dining rooms often bleed into one another, resulting in an undefined sprawl.  A beautiful and effective solution to this problem is the incorporation of well-placed architectural columns.  Correctly used, columns delineate the rooms without disrupting the original architectural intentions.

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In this home, fluted columns with Greek Erectheum capitals have been used to separate the living room (unseen), a center hall, and the dining room, providing a more contemporary living arrangement in a traditional setting.

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On this Martha Stewart project, a wall was removed, and fluted columns with denticulated Roman Doric capitals and Attic (Ionic) bases were added to expand the space.

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Here, two sets of Tuscan columns separate the casual living room, a stair landing, and the kitchen, providing visual access to all spaces while still creating a sense of borders.

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438_Reduced.jpgFaux-finished wood columns and pilasters with custom plinths, Attic bases, and Empire with Necking capitals delineate the grand entrance from the formal living area.

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Octagonal columns and pilasters with Attic bases and denticulated Roman Doric capitals create an open hallway between living areas.

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Fluted denticulated Roman Doric columns on custom pedestals demarcate the entrance into different rooms.

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Columns and pilasters with Attic bases and denticulated Roman Doric capitals provide a perfect, subtle delineation between an entrance hall and the (unseen) living room.

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Greek Doric columns, with Doric flutes separate the stairway and the foyer.

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Christopher Newport University – Student Success Center | Newport News, VA

EDUCATIONAL DEVELOPMENTS | CHRISTOPHER NEWPORT UNIVERSITY – STUDENT SUCCESS CENTER

Christopher Newport University Student Success Center

Photo Courtesy of: Kevin Svensen | Glave & Holmes Architecture

Photo Courtesy of: Kevin Svensen | Glave & Holmes Architecture

Photo Courtesy of: Kevin Svensen | Glave & Holmes Architecture

Photo Courtesy of: Kevin Svensen | Glave & Holmes Architecture

Photo Courtesy of: Kevin Svensen | Glave & Holmes Architecture

Photo Courtesy of: Kevin Svensen | Glave & Holmes Architecture

Photo Courtesy of: Kevin Svensen | Glave & Holmes Architecture

Photo Courtesy of: Kevin Svensen | Glave & Holmes Architecture

Photo Courtesy of: Kevin Svensen | Glave & Holmes Architecture

Photo Courtesy of: Kevin Svensen | Glave & Holmes Architecture

Photo Courtesy of: Kevin Svensen | Glave & Holmes Architecture

Photo Courtesy of: Kevin Svensen | Glave & Holmes Architecture

Photo Courtesy of: Kevin Svensen | Glave & Holmes Architecture

CNU Student Success Center

Photo Courtesy of: Kevin Svensen | Glave & Holmes Architecture

 

 

 

 

CAPITAL DESIGN:   Custom Scamozzi square pilaster capitals & Custom Roman Corinthian square-shaped pilaster capitals.

CAPITAL MATERIAL:   Scamozzi | Stain-Grade Wood with hand-applied stain-grade resin detailing.  Roman Corinthian | Paint-Grade Plaster material.

CAPITAL SIZE:   4″ x 2-1/4″ x 6-5/8″ (Scamozzi)  |  17-1/2″ x 25-3/4″ x 13-5/8″ (Roman Corinthian)

PROJECT LOCATION:   Newport News, Virginia

PROJECT COMMENTS:   Chadsworth Columns specializes in creating custom products. We were asked to produce custom Scamozzi pilaster capitals for the Student Success Center at Christopher Newport University.  A total of (7) Scamozzi capitals were used.  We also created a custom capital pattern for (16) Roman Corinthian square pilaster capitals made from plaster material.  The building company was Stephenson Millwork, and the architect was Kevin Svensen of Glave & Holmes.

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What is a Balustrade?

WHAT IS A BALUSTRADE?

Text Courtesy of:  Architectural Digest

Text by Stefanie Waldek

August 20, 2015
Patio from the Castle of Vélez Blanco, 1506–15. Photo: Courtesy of the Metropolitan Museum of Art

Patio from the Castle of Vélez Blanco, 1506–15. Photo: Courtesy of the Metropolitan Museum of Art

 

 

 

 

 

 

 

 

 

Though you might not know exactly what a balustrade is, you probably encounter one more often than you’d expect. Found lining many staircases and terraces, a balustrade is a row of small columns topped by a rail. The term is derived from the form’s constituent posts, called balusters, a name coined in 17th-century Italy for the bulbous item’s resemblance to blossoming pomegranate flowers (balaustra in Italian).

“The balustrade’s functions are multiple, from reducing the possibility of a person falling off a stairway to cordoning off an area for the purposes of privacy, such as the gilded balustrade that separates the bed in the king’s chamber at Versailles from the rest of the room,” says Mitchell Owens, Architectural Digest’s decorative arts and antiques editor.

A decorative balustrade lines the roof of this Palm Beach, Florida, residence designed in a combination of the Beaux Arts and Mediterranean Revival traditions. Photo: Roger Davies

A decorative balustrade lines the roof of this Palm Beach, Florida, residence designed in a combination of the Beaux Arts and Mediterranean Revival traditions.
Photo: Roger Davies

The earliest examples of balustrades comes from ancient bas-reliefs, or sculptural murals, dating from sometime between the 13th and 7th centuries b.c. In depictions of Assyrian palaces, balustrades can be seen lining the windows. Interestingly, they don’t appear during the architecturally innovative Greek and Roman eras (there are, at least, no ruins to prove their existence), but they resurface in the late 15th century, when they were used in Italian palaces.
At a Water Mill, New York, home, a wrought-iron balustrade wraps the serpentine staircase in the entrance hall. Photo: Scott Frances

At a Water Mill, New York, home, a wrought-iron balustrade wraps the serpentine staircase in the entrance hall.
Photo: Scott Frances

A notable example of the architectural element once graced the Castle of Vélez Blanco, a 16th-century Spanish structure designed in the Italian Renaissance style. The intricate marble balustrade lined a second-floor walkway overlooking a courtyard. The ornamentation around the terrace was disassembled in 1904 and eventually sold to banker George Blumenthal, who installed it in his Manhattan townhouse. The patio has since been reconstructed in New York’s Metropolitan Museum of Art.

Balustrades continue to be used today in a vast variety of shapes and materials, from simple wood posts to elaborate wrought-iron spindles, for both decorative and practical purposes.


Browse Chadsworth’s Balustrade Options
Read more on Architectural Digest online at:  www.architecturaldigest.com
Visit our Online Store at:  SHOP.COLUMNS.COM

Chadsworth Provides Columns for Restaurant 1858 at the Broadmoor Seven Falls in Colorado Springs

Chadsworth Provides Columns for Restaurant 1858 at the Broadmoor Seven Falls in Colorado Springs

Text courtesy of Colorado Springs Independent’s website:  www.csindy.com

Feast of the Seven Falls

When Seven Falls (2850 S. Cheyenne Canyon Road, sevenfalls.com) reopens Aug. 13, it will mark just under two years since flooding closed the attraction, but also the first time that a business, rather than a family entity, has owned the canyon splendor.

Last year, the Broadmoor purchased Seven Falls from the Hill family, who owned it for nearly seven decades. El Paso County assessor info shows that purchase price at $956,000, and Broadmoor spokespeople say its owner, The Anschutz Corporation, has put around another $11 million into restoration and upgrades including a new gift shop, a food cart, two extensive zip-line courses and an eatery called Restaurant 1858.

Executive sous chef David Patterson says the menu’s point of departure resides in the restaurant’s name. “We’re looking at the Colorado Gold Rush, the West and what food traditions people may have brought,” he says, noting both American regional flavors and immigrant influence. Items range from game meats to Colorado trout, which are served eight ways, from “cast iron classic” to “prohibition style” or “low country.”

Katie Symons arrived four months ago via Las Vegas to take the job as 1858’s chef de cuisine, formerly having worked for Nobu inside Caesar’s Palace, and West Virginia’s historic Greenbrier resort hotel, among other postings. She and Patterson both talk up a 4-by-3-foot wood-burning grill that’ll receive oak, hickory and mesquite feedings, and which greatly informed the menu’s design.

“That grill is like a beast,” she says, “I worked on one in Vegas … It adds smoky flavor to all the food.”

Arkansas Valley Organic Growers and former Broadmoor executive chef Sigi Eisenberger’s farm are among area food providers.

“Talking about heritage isn’t just a buzzword for us,” says Patterson, who adds, “If I put shrimp and grits on the menu, I want it to be the real deal. I buy the best grits I can, and source Gulf shrimp when we can.”

He also cites AVOG-grown Anasazi beans that appear on a chopped salad, and South Carolina’s organic Anson Mills’ red peas and gold rice that lend authenticity to the Hoppin’ John on the side of 1858’s roasted chicken.

Regarding the facility, Symons notes chandeliers, wood features and a stunning view of the waterfall from the 100-seat dining area and 20-seat patio. Patterson likens it to the opulence and “rustic wilderness beauty” on display at the hotel’s swank Cloud Camp, conceived by the same design firm, Johnson David Interiors. “It looks like it’s been here 100 years,” he adds.

No on-site parking is allowed; free shuttles leave from the hotel’s east lot. Dress is casual to relaxed, and you can arrive early or stay post-meal to hike and visit the park, as access to 1858 requires a park-entrance fee: $14/adults; $8 ages 2-12; season and family passes available). Regarding menu pricing, Patterson says “we want to be price sensitive and as inclusive as possible, but we won’t compromise on our quality and product — we’re a Broadmoor property, and the expectation from a guest perspective is for 5-star, 5-diamond quality.”

Restaurant 1858 in Colorado Springs, CO

Photo Courtesy of: Carlos Aguirre | Peak Framing, Inc

Restaurant 1858 - The Broadmoor Seven Falls

Photo Courtesy of: Carlos Aguirre | Peak Framing, Inc.


PROJECT INFO

COLUMN DESIGN NUMBER:    Design #200B

COLUMN DESIGN:   PolyStone® fiberglass composite Belley columns with Tuscan capitals and square plinths.

COLUMN MATERIAL:  PolyStone® fiberglass composite (FRP)

COLUMN SIZE:   10″ x 8′

PROJECT LOCATION:   Colorado Springs, CO

PROJECT BUILDER:   Peak Framing, Inc.  www.peakframing.com

PROJECT COMMENTS:   Almost two years saw the construction of Restaurant 1858 along with Seven Falls – since a flooding that closed the attraction.  The re-opening (August 2015) will mark the first time that a company — not a family entity — has owned a piece of this magnificent canyon.

Restaurant 1858 features (31) of Chadsworth’s PolyStone® fiberglass composite Belley columns with Tuscan capitals & square plinths.  Many of the columns were cut down on site and currently rest atop stone pedestals.

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Click HERE to read more about the new resort that recently opened up.

Click HERE to read more about Peak Framing, Inc.

Wayne County Veteran’s Memorial Features Chadsworth’s Columns

Wayne County Veteran’s Memorial Features Chadsworth’s Classic Stone Columns

Text:  Courtesy of the Wayne County Veteran’s Memorial website:

www.wayneveteransmemorial.org

 

 

 

 

 

 

 

 

After the Wayne County Memorial Building burned in 2004, the Trustees met regularly and consulted with veterans and interested citizens to determine future plans for the property. The land and 1925 building had been made possible by generous gifts from throughout the county, and the sole purpose had been to build a living memorial which would honor and forever remember those from here who had lost their lives in war. At a public meeting held in January, 2009, many veterans and other citizens expressed the opinion that this “hallowed ground” should continue being a memorial as it was originally intended. Later that year, after lengthy thought and study, the Trustees launched the Wayne County Veterans Memorial project in Goldsboro, NC.

Insurance proceeds from the destruction of the Community Building were used to bring this new project into reality without involving any tax funds. Early on, the Trustees engaged the services of Landscape Architect Jim Davis, originally from Eureka, NC, to work with them in formulating the vision and creating the design. The general contractor, D. S. Simmons Co., agreed with our desire to use local sub-contractors, and Landscape Design of Goldsboro, North Carolina is responsible for the landscape installation. Many extra hours and material were contributed by all involved in the project.

The emphasis on the design is formal enough to honor those who died to protect the liberties we enjoy, yet inviting enough to welcome visitors. Here all can find a place for rest, reflection, and solace. Our intent is that this space be actively used for veterans’ activities, community events, concerts, and visits by Scouts, schools, and other civic groups, thus continuing its role as a living memorial.

It is our hope that the Memorial honor those who have died, but also instill an understanding and respect for the sacrifices made on our behalf by past generations.

Completed Memorial Using Chadsworth's Columns

Completed Memorial Using Chadsworth’s Columns

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

View the HISTORY of the Wayne County Veteran’s Memorial.

Also make your RESERVATIONS to tour the memorial.


PROJECT INFO:

COLUMN DESIGN NUMBERClassic Stone Custom

COLUMN DESIGN:  Classic Stone (Textured) FRP columns. Scamozzi capitals and Ionic (Attic) base moldings / plinths.

COLUMN MATERIAL:  Classic Stone (Pre-Finished Textured)

COLUMN SIZE:  14″ x 12′

PROJECT LOCATION:  Goldsboro, North Carolina

PROJECT COMMENTS:  The Wayne County Veteran’s Memorial in Goldsboro, North Carolina features (20) of Chadsworth’s pre-finished, textured Classic Stone columns. The columns are round, plain and tapered with Scamozzi capitals and Attic bases.


 

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